Ap Biology Lab 5 Cell Respiration Carolina Packet

Cinema - sequences / Water

Water lewd (extract 1 and 2)








Pure water / water tragic

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lewd texts for the course from 03/06/2010 - Freedom of expression or command language.

texts for courses in philosophy of 03/06/2010

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texts for the course 27/05/10 - Spinoza, the force affects

texts for the course in philosophy 27/05/2010

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footage for the course 25/05/10 - Water (Mizu), is folk aesthetic figure. Synopsis

(The session will focus on cultural and folklore of erotic Japanese, especially around the ground water, and aesthetic contributions of the Japanese New Wave, particularly in respect of erotic film.)

Water! ... Water! ...



Imamura, anti-Ozu?
Sequences Ozu, especially Tokyo Story (1953), available on You Tube



District pleasure




Yoshida, Eros + Massacre (extracts)

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during 25/05/10 - Sade a libertine without return

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Sade, a libertine without return

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The work of the Marquis de Sade, probably the most obscene and the most violent ever above-mentioned, also has the sad privilege of not hardly be read. For who opens a book of Sade is preparing to live an experience, that of a desire whose power can only lead to the abyss. Large écrivauns are clinicians: it gives us the picture of a reality that without them we can not see and that through them we have to live only through their books.
To some extent, the divine marquis is a Spinoza exacerbated exacerbated the paradigm of the power of desire. For if the desire is an expression of a certain degree of power, that is to say a certain relation to the world, the desire Sade is the attempt to break free from the bondage of manners to give free rein the desire itself. Where Spinoza is the power of the desired vector of a certain joy and some sadness, desire Sade does the greatest joy, the greatest possible enjoyment. Therefore, where Spinoza invites us to look a optimum power, that is to say a proper balance between the need to be affected and the power to dispose of another way, Sade tells us how the desire can be a despotic power which tends only to a ultimate enjoyment. Desire is a power that frees us know when we do use the singular, but which can be bonded if our desire is that this same impersonal force.

example of philosophy in the boudoir (1795), whose third dialog gives us the description of erotic body, part by part, for the sole plaisr as flow and reserve. So that even the third dialogue where virtue of vice is argued by Madame de Saint Ange engaged and the need of debauchery to reveal the true nature of the desire body. Thus the pamphlet 5th dialogue which serves the dual voice Dolmance and the strength of unsealing, the author himself, where as the distinction between possession and enjoyment that the figure of prostitution illustrate the nature of desire which can be despotic, as two sides of an abyss, the vector of a joyful liberation or servile tenure.

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texts for the course 20/05/10 - Sade, a libertine without return.

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May 2010-Recital au Marathon of Création à l'Alliance Française de Martínez! Sebastian
Merci! Merci Christine!