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The work of the Marquis de Sade, probably the most obscene and the most violent ever above-mentioned, also has the sad privilege of not hardly be read. For who opens a book of Sade is preparing to live an experience, that of a desire whose power can only lead to the abyss. Large écrivauns are clinicians: it gives us the picture of a reality that without them we can not see and that through them we have to live only through their books.
To some extent, the divine marquis is a Spinoza exacerbated exacerbated the paradigm of the power of desire. For if the desire is an expression of a certain degree of power, that is to say a certain relation to the world, the desire Sade is the attempt to break free from the bondage of manners to give free rein the desire itself. Where Spinoza is the power of the desired vector of a certain joy and some sadness, desire Sade does the greatest joy, the greatest possible enjoyment. Therefore, where Spinoza invites us to look a optimum power, that is to say a proper balance between the need to be affected and the power to dispose of another way, Sade tells us how the desire can be a despotic power which tends only to a ultimate enjoyment. Desire is a power that frees us know when we do use the singular, but which can be bonded if our desire is that this same impersonal force.
example of philosophy in the boudoir (1795), whose third dialog gives us the description of erotic body, part by part, for the sole plaisr as flow and reserve. So that even the third dialogue where virtue of vice is argued by Madame de Saint Ange engaged and the need of debauchery to reveal the true nature of the desire body. Thus the pamphlet 5th dialogue which serves the dual voice Dolmance and the strength of unsealing, the author himself, where as the distinction between possession and enjoyment that the figure of prostitution illustrate the nature of desire which can be despotic, as two sides of an abyss, the vector of a joyful liberation or servile tenure. To some extent, the divine marquis is a Spinoza exacerbated exacerbated the paradigm of the power of desire. For if the desire is an expression of a certain degree of power, that is to say a certain relation to the world, the desire Sade is the attempt to break free from the bondage of manners to give free rein the desire itself. Where Spinoza is the power of the desired vector of a certain joy and some sadness, desire Sade does the greatest joy, the greatest possible enjoyment. Therefore, where Spinoza invites us to look a optimum power, that is to say a proper balance between the need to be affected and the power to dispose of another way, Sade tells us how the desire can be a despotic power which tends only to a ultimate enjoyment. Desire is a power that frees us know when we do use the singular, but which can be bonded if our desire is that this same impersonal force.
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