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In vert / green



lens Une balade ce samedi, mon île est une belle verte in order cette février. Du vert
to breathe, enjoy, contemplate .... Caressa aussi, pourquoi pas?
A slow ride on Saturday, my island is a pretty green at this end-February. Green
breath, taste, caress watch ... well, why not?






Written in green ink Octavio Paz

Ink creates green gardens, forests, meadows, foliage
where they sing the lyrics,
words are trees,
constelacions phrases that are green. (...)

écrit à l'encre see Octavio Paz

L'encre see believeth jardins, forêts, loans,
feuillage où chantent les lettres, qui sont des mots
arbres ,
phrases qui sont vertes constellations.
(..)

Field artichoke

wild asparagus, Espárragos trigueros . Delicious omelette.

Rosemary .... Breathe! Romero respirad ... ¡!

Finally a picture of a picture of my friend painter Ken Orton .
Para terminar una foto de mi amigo of a cuadro pintor Ken Orton .

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23F in a coup d'Etat rate / 23F, a failed coup

February 23, "el 23-F 1981 at about 18h.

30 years ago.

Franco had been dead for 6 years.

The transition was his way, poco a poco, cautiously, English soil seemed to strengthen.

Then suddenly arose in the Congress Hall at gunpoint, the colonel Tejero firing into the air, shouting: "Stay quiet ..... Everyone on earth ..... sit down hell! "

Stupefaction, panic in the entire country ... tanks in the streets of Valencia ... we had almost forgotten the dictatorship.

The news was contradictory friends gathered here to listen to the radio, so I translated them also said that this French radio.

The decisive intervention of the king, army chief, at 1:00 am. "At 01:00, Juan Carlos I comes on television, in the uniform of captain general of the armies to oppose the coup, defend the Constitution ..." (Wikipedia).

The army returns to barracks, the rebels will be punished.

A sense of fragility that took years to fade.

There are only 30 years ago ....

was February 23, "The 23F '1981 to 18h.

30 years ago.

It was 6 years old Franco was dead.

The transition had its way, slowly, cautiously, the English soil seemed to become firmer.

When suddenly arose in the hall of Congress, the fist weapon, Colonel Tejero firing and shouting "Stop it .... all the world to the ground .... They are, pussy! ".

stupefaction, panic in the entire country ... some armored vehicles in the streets of Valencia ... we had almost forgotten the dictatorship

The news was contradictory, the friends gathered at our house to listen to the radio, to translate them what it said on French radio.

decisive intervention of the King, chief of the armies, at 1 am. "At 01h00 Juan Carlos intervenes on television, in uniform of captain general of hosts to oppose the coup, to defend the Constitution ... "(Wikipedia)

The army returns to barracks, the rebels will be punished.

A sense of fragility that took years to dissipate.

only been 30 years ...

On the English war I recommend you read the ticket of JEA, Tiles 2, a documentary film from English José Luís Peñafuente who won the award in Belgium in 2010 Magritte .

Can also article (in English) published last Sunday in the newspaper El País, where politicians say what they did on 23 February at 18h.

And in Dominica, this chronic of a book about the Civil War.

A documentary film of English José Luis Peñafuente on civil war has been awarded Magritte in Belgium in 2010, read here .

also very interesting this article published by the newspaper El Pais on Sunday where political figures have what they did that 23 F at 18h.

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La nature, l'enfance et Lorca / Nature, children and Lorca

In my "Complete Works" of GG Lorca, very worn, some interviews.

- My life? Do I have a life? These my years, I still look like children. The emotions of childhood are of me. I have not left home. Having my life would be talking about what I am, and life is a story of what was. The memories, even those of my childhood away, are in me a passionate this time ...

Dans mon "Oeuvres complètes" GG Lorca, fort used it, quelques interviews.

-Ma vie? Ai-je une vie? Les ans that appartiennent j'ai encore à l'enfance. Les émotions de l'enfance sont in moi. Je n'en suis pas Sorti. Raconte ma vie serait parler de ce que je suis, et la vie est un récit de ce qui s'en est allé. Les souvenirs, même ceux de mon enfance la plus lointaine, sont moi un temps présent in Passionné ....

And he'll tell you. This is the first time I talk about this, it has always been my own, intimate, so private that even I never wanted to analyze it. As a child, I lived right in the natural environment. Like all children, awarding each thing, furniture, tree, stone, his personality. Talking with them and loved them. In the courtyard of my house had some poplars. One afternoon it occurred to me that the poplars were singing. The wind passing through between addition Ramas, producía variado in a ruido tonos, a mí se me that antojo music. Y yo las horas Solía pasarme acompañando canción con mi voz de los chopos the ...

- And I tell you. This is the first time I mention it has always belonged to me alone, intimate, so private that even I never wanted to analyze it. Child I lived in full nature. Like all children, I have set for everything, furniture, object, tree, stone, his personality. I conversed with them and I loved them. In the patio of my house there were poplars. One afternoon I eu l'idée chantaient peupliers them. Le vent, en passant between leurs branches, a bruit aux tons produisait several, à moi qui me semble music. Et j'avais l'habitude de passe les heures à ma voix accompagner la chanson des peupliers ...

- I love the land - says Lorca -. I feel bound to it in all my emotions. My most distant childhood memories are flavored ground. The earth, the field has done great things in my life. The vermin of the earth, animals, rural people have suggestions that come to very few. I now perceive them in the spirit of my childhood years. Of lo contrario, no Hubi podido escribir Bodas de Sangre . Este amor a la tierra me hizo conocer la primera Manifestación artística ...

- I love the earth --Lorca said. I feel bound to it in all my emotions. My childhood memories are the most distant land of flavor. The earth, the countryside, have done great things in my life. The beasts of the earth, animals, rural folk have suggested that affect few people. I pick up now with the same spirit as in my childhood years. Otherwise I could not have written Blood Wedding. It is this love of the land that made me know la première manifestation artistique ... (trad. Colo)

(Photo olives: http://revista.consumer.es/web/es/20070301/actualidad/informe1/71301.php)

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helium at the book fair in Brussels

Helium will attend the Book Fair of Brussels February 17 to 21 at booth 404,

held by the House of Youth Literature The Wolf.

Monday, February 21 at 13 pm:

presentation of helium and other small publishers to space " The L @ B "

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Drawing Exhibition cousin to the bookstore Smuggling Toulon

February 18 to March 27, 2011. By Polina

Petrouchina and Gala Marina.

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L 'oeil d'Osiris, Malte / The Eye of Osiris, Malta

Why Malta ? First because, as the Balearic Islands is an archipelago which, throughout history, has been coveted by all, invaded, colonized: it seems that the Balearic Islands constitute a strategic point of entry control in the Mediterranean from the Atlantic archipelago of Malta is equally important to the Middle East.

Ens because ollowing that, apart from the history of the Knights of Malta, the Anglo-linguistic stays What are some young people and its European Union membership, I ignored everything else.

Fortifications, seaside fishing dangerous and adventurous (there boats have the eye of Osiris painted on the bow for protection) are the fate of the two islands for centuries. The more people live happy, safer in the interior and the cuisine is the witness. Here in Malta I found a "widow soup" made from vegetables and cheese fondu de chèvre et puis le plus plat will appreciable, we lapin. (Il ya des poissons well sûr et une forte Influence de la cuisine italienne, the Sicile est à deux pas.)

Why Malta? First, because, like the Balearic Islands is an archipelago throughout its history has been coveted, invaded, colonized, it appears that the Balearic Islands are a strategic point to control entry into the Mediterranean from the Atlantic; the archipelago of Malta is no less to the Middle East. After

because, apart from the history of the Knights of Malta, the Anglo-language stays made by some young people there and its European Union membership, the rest, did not know.

fortifications, dangerous coast and fishing ventures (where the boats have the eye of Osiris painted on the bow to protect them) are the fate of the two islands for centuries. The people choose to live in more sheltered areas, insurance, within the land and traditional cuisine reflects this: Here in Malta I have found a "widow soup" made with vegetables and melted goat cheese and appreciated dish which is the rabbit. (Of course there are fish and a strong influence of Italian cuisine , Sicily is two steps.)

Les illustrations sont the painter Edward Caruana Dingli Malta

The illustrations are of Maltese painter Edward Caruana Dingli .

Et pour terminer a poem que je trouve très réussi par écrit maltais Oliver Friggieri in

et traduit en français par Martine Vanhove .

And finally a poem that I find very expressive, written in Maltese by Oliver Friggieri, translated into French by Martine Vanhove and English, MA and I, Colo.

THE RITUAL OF THE TWILIGHT

desire enters riding the wave,

everyone observes and greet

my heart on the pier waiting

as to Appeal twilight

hope him loose threads and see the contents,

love has taught him not to ask anything and he is silent,

anxiety taught him that taking n'est pas pour lui.

The twilight ritual

desire riding the wave penetrates,

all watching him and greet him,

my heart on the pier waiting

sounds like when the twilight:

hope makes it loose the network and view content,

love has taught him not to ask anything and be silent,

anxiety has taught him that he is not caught.

(trad. MA and Colo)

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During the synopses of 10/02/2011 - digression 1: Artaud, madness and alienation

Notes_Artaud, madness and alienation.

or advertise on Calaméo explore the library.

of Artaud's work is a challenge for the reader because his insanity is a mask that prevents us from reading this piece for what it really is. Opening one of Artaud wrote, is faced with the enigma of an "adventure", a term employed by J. Derrida to say the intermingling of life and work of the author is something of a test limit of liveable, the limits of the speakable.

doing, knowing the author's biography is important to read it, but we must always ensure that this life does not prevent us from seeing what Artaud had in his writings. Here, the ratio of the life and work is experiencing a new complexity, as it is impossible to separate them, but neither the disease of the author should stop reading, or reading should not forget the disease, so that the reader almost as elusive this work is an experience in itself.

Antonin Artaud
sent Melmoth. - Watch more movies, series and movie trailers.

Bear in mind the basics: Antonin Artaud is a fool and insane. Crazy in the sense that it is naive to ignore the fact that it was not all his life, suffering, alienated in the sense, constantly suffering, he forged through his work an unparalleled perspective on the conditions of possibility what we call mental health, literary, etc ... normality.

Psychiatry unfortunately does not help today to restore the prominent place in the crazy place that was hers, the visionary which confines of a-normality, we show the arbitrariness of normality. In this sense, madness is the bare truth of man, what a man once he is removed all the arts of a culture. Is not it crazy that we believe the man also has his normal health, that of believing that his world is the world to believe that he lives in the truth when it is that a dream soon erased.

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Synopsis during 3/2/11 - Prolegomena to the manufacture of a BwO

One step must now be taken a step which is upside down the intuitions of common sense, not that which was once designated as a "Copernican revolution". The time is past when the real us was a simple and obvious reality, and here came the age of the transcendental, where we became real strange or foreign, constantly overshadowed by the conditions of possibilities that we do know. We believe in the truth of our world, but too often we ignore that our underlying representations so sure of herself, there the world is to say that the wealthy real multiplicity is stubborn our representations.

Notes_Lecture the tent at I, 2, AOE, Deleuze and Guattari

or advertise on Calaméo explore the library.

Thus the desiring machine in Anti-Oedipus Deleuze and Guattari . It is transcendental machine as we want and always share using a code that directs the slopes: "I want this" because this strikes me as I designated or desired object ... etc.. But behind the machine transcendental, there is another machine that is teeming with possibilities, the empirical desiring machine, engaged with the real direction or without specific purpose: "I delirium this and that, and again ..." because it always works, it connects with the opulent multiple streams of reality, sometimes to the point that life takes me in his machinic undifferentiated fluid. Then nothing works, nothing works, or at least nothing but the fluid through me.

Then either the process of production of the desiring machine, but the station unproductive BwO (Bodies without Organs). The desire is no longer constant in this plot and the real borders on reality, but machinic life, immersion in the fluid of life. Without doubt this is an owl's eyes a little crazy to see this machine empirical-transcendental states of schizophrenia: between excitement and apathy, desiring machine is to embody all its phases, all layers in the schizophrenic. What status then give the CSO? Or the challenge becomes to understand how and why it is useful or even necessary to manufacture a CSO.

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is the autumn of 2011, finally, at Helium! And to inaugurate William Wondriska are back after All alone, one of America's most creative designers for years sixty.
is a magnificent work and simple at the time, originally published in 1963, in landscape format, including history, no text (or almost), begins coverage with an elephant who pulls on a wire ... a wire which runs along the pages to provide the reader from A to Z in English (and French! brackets), a succession of animals (an elephant, a whale ...), objects (a rake , an umbrella), elements of nature (trees, a flower, the moon) ... The line becomes a leash to the dog went around the volcano, is caused by the bird in the sky, turning each of these elements into a kind of toy. The child can learn vocabulary in French and English, but find a vision of the world, too broad, the familiar (a key, a xylophone) to more distant or more impressive (whales, trees ...).

This book into two colors, black and orange, combining freedom of line and typing games, modernity and reveals once again the immense talent of this designer.

Wondriska William was born in 1931 in Oak Park, Illinois. After studying at Yale and the School of Art in Chicago, he taught at several universities U.S. and created the graphic design studio Wondriska Associates, working for clients like Walt Disney. He wrote, illustrated and photographed eleven books for children who have been awarded numerous awards by the American Institute of Graphic Arts. He now lives in Concord, Massachusetts.

Sur le fil

William Wondriska

48 pages, 28 x 18, hardcover
PPV: 14,90 €
EAN: 9782358510530

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In longeant les côtes ... / Coast ... Algériens poétiques

A peu de musique? Voici la belle voix de l'algérienne Souad Massi.

A little music? Behold the beautiful voice of the Algerian Souad Massi.

embark on board one or more llaouds ... how are we? - these small traditional Mallorcan fishing boats. If the archipelago de Malte est notre prochaine scale, resterons en mer nous cette semaine. Le temps des femmes regrette algérienne Rires them, they amandiers en fleur et celui dont nous n'avons pas parliament: le désert.

boarding one or more Llaudes ... how many are we? - These modest traditional Mallorcan fishing boats. If the archipelago of Malta is the next level, this week we will stay at sea. Time to miss the laughter of Algerian women, almond blossom and we have not mentioned: the desert.

Casida THE THIRSTY Miguel Hernández

Arena I
desert: desert sed.

Oasis is your mouth where I did not drink. Boca

: oasis
open all the desert sands. Wet


point in the middle of a burning world,
on your body, yours,
is never both.

Body:
closed well whom thirst and the sun has burned.

Casida de l'assoiffé - Miguel Hernández (qasida: composition poétique ou arabe Persane)

Sable du désert je suis: désert of soif. Oasis

est ta bouche où je ne dois boire.

Bouche: oasis
open to all the desert sands.

Point
wet in the middle of a world burning
that of your body, yours,
that never both.

Body: closed
well as thirst and the sun burnt. (Trad. Colo)


L th time too, along the coasts of crunching Khobz tunes, these Algerian almond cake with lemon or these delicious kaak ambar Tunisian almond and rose water.

time too, along the coast, burying the teeth in khobz toune a , those Algerians almond cakes scented with lemon or those delicious amber Kaak Tunisian almond and rose water.

enfin Le temps et bien sûr, les nouvelles attentivement of suivre des pays en Ebullition Venant démocratique.

Mais voilà îles them .... À la semaine prochaine.

The time finally and of course, to follow closely the news from the Mediterranean countries in democratic boiling.

But there are the islands ... until next week.

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